Gestalt

Here’s an article, A Tailor In The Cyclops’ Cave?, by Steve Silverton, that I’ve just enjoyed reading. It’s a good reminder of what really works in psychotherapy, and a reality-check on notions that mechanical approaches can in some way address the poetic, relational worlds that we create, as they contemporaneously creates us.

… we humans tend to make ourselves up as we go along, not only our present but our past and our future as well. We are always re-writing ourselves and whatever the current story or pre-occupation is tends to change our sense of our past, present and future selves. The figure creates the ground and the ground creates the figure.

Steve Silverton’s writing comes with the clear mark of personal experience. His reflection on the question “How do you work?” (posed to the therapist by a potential client) moves not only into the nature of the relational venture of client and therapist, but raises the subject of how we potentially are limited by the words at our disposal (the words in that question), by collective sub-texts behind our endeavours and inquiries; how these endeavours can be limited by that sub-text.

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Qiu Anxiong at Gallery 4A

by Ron Dowd on February 5, 2009

in Posts on Art+Psyche

Qiu Anxiong NostalgiaGallery 4A (the Asia-Australia Arts Centre) is currently showing a rich and meditative installation called Nostalgia, by the Chinese artist Qiu Anxiong (pronounced choo anshong, I’m reliably informed).

I attended the screening of three of his animated video works (including the three-screen The New Sutra of the Mountains and the Seas based on the ancient Chinese manuscript Classic of the Seas and Mountains) in Parker Street, right next to the Gallery, last Friday night. The screening was part of the Sydney Chinese New Year Festival.

Qiu’s works in Nostalgia are meditations on times that have passed, on country and traditional Chinese ways, on industrialisation, and on pollution. He uses “brush and ink” painted scenes (over 6000 of them in this work), beautifully stitched into animations in which land and town scapes morph, animals change into other animals, and catastrophic events occur.

I saw military tanks that were also elephants, birds that were ominous helicopters,  birds and landforms that become aircraft and their nautical carriers. As in any true Gestalt, the whole is greater than the sum of its parts, and the next day it was the whole, the felt experience that stayed with me. I was left with a profound sense of how we muddle through, individually and collectively, retaining traces of our remembered “natural” pasts.

Here’s a still from The New Sutra of the Mountains and the Seas, in Parker Street, on a warm Sydney evening, with Chinatown buzzing. The film’s haunting sound track was embellished by the periodic tings-tings of the nearby light rail cars sliding past down Hay Street.

Qiu Anxiong Nostalgia

In the Gallery, you can still get to see another video work, Flying South (2006), and the installation Nostalgia upstairs.

Here’s a sequence of stills from the 9 minute work Flying South, which I watched several times. It’s a poignant work from this accomplished artist.
Qiu Anxiong Nostalgia

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Linos from 2006

by Ron Dowd on January 13, 2009

in Posts on Art+Psyche

Sometimes you’ve just got to post things even when they’re not new! For some back-story on these lino-cuts, see my Gestalt Journal paper.

I was interested to depict some ideas on self and identity, and how these are understood in the Gestalt model. The “self” in this model is considered to be more “at the boundary”, at the interface to the other, than at an individually-constructed centre.

The lino-cuts are about an experience of multiple, morphing “selflets” (multiple selves) that, although retaining some sense of a permanent centre, have also an amoebic, mutating quality, their boundaries permeable membranes through which dialogue occurs.
Atoll - lino-cut
Ron Dowd
Atoll, 2006
lino-cut, 30 x 30 cm
Black Snake  lino-cut
Ron Dowd
Black Snake, 2006
lino-cut, 30 x 30 cm
Lucky - lino-cut
Ron Dowd
Lucky, 2006
lino-cut, 30 x 30 cm

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Emily Pothast
We Are You When You Are Dead
Collage and coloured pencil on paper, 2008
16-1/2 x 6 inches

Here’s a lovely and enigmatically titled work by Emily Pothast that has more than a hint of the alchemical, and for me also a strong sense of Gestalt.

Note the association with the tree of life of classical alchemy – this work having the same number of eyes as the tree of life has heads (one for each of the chakras). The image below is the alchemical androgyne, from the Rosarium Philosophorum of 1550.

The tree of eyes (“I”s?) grows from a noumenal field, one that is structured just the way things are, in accordance with the Flower of Life design, a so-called “seed image” for many ancient sacred geometries.

In this work, the ground is an energised seed for the outpouring of the tree, as the many I’s of the self outpour from the noumenal.

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Henson’s opus and the child growing up

October 8, 2008 Posts on Art+Psyche

It would be hard to miss the debate that’s recently resurfaced in Australia concerning Bill Henson’s photographic works of children. The works themselves have been around for years and I’ve seen them from time to time – just a few blocks away from home at Roslyn Oxley9 gallery. I see the critical encampments that have [...]

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A sacred heart at Abbazia San Pietro in Valle

August 23, 2008 Posts on Art+Psyche

On our recent hike in Umbria we arrived (after 17 km of walking from the Forca delle Porelle, near Spoleto, on a hot day) at the beautiful Abbazia San Pietro in Valle, where we stayed the night. With a history extending from the eight century (when a Duke of Spoleto founded the abbey as a [...]

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Staemmler’s 2nd scheme of interaction

April 25, 2008 Posts on Art+Psyche

This is an initial attempt to animate Staemmler’s second scheme of interaction between the partners in a couple. I’ve shown the shapes shifting because that is what happens in the interactions between the partners – behaviours, and the meanings attributed to them by the other party, are in constant flux; and in constant reaction to [...]

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Robert Lee’s new book

April 25, 2008 Posts on Art+Psyche

Robert Lee was recently in Sydney and it was a pleasure to meet up with him again at the GANZ Professional Development Evening. And it was an opportunity to buy from this gentle man his new book The Secret Language of Intimacy (The GestaltPress, 2008), which continues his investigation into the dynamics of couple relationships. [...]

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Reflections on Self and Field in Gestalt and Elsewhere

January 4, 2008 Posts on Art+Psyche

In this article I related some art works I’d made to the Gestalt contact cycle and the modifications or disturbances of contact spoken about in Gestalt. I described how these art works led me to wonder about various ideas of self in the Gestalt literature. I inquired about Gestalt field theory, and if and how [...]

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