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Walking in a Dark Land

by Ron Dowd on February 5, 2012

in Posts on Contemplation

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In some peoples’ lives, a contemplative practice becomes the still axis around which all else revolves. They eagerly await the time set aside for contemplation.

Or, something deep and still comes upon them unbidden when in nature (or in a crowded room). This is contemplation too, for the intention is there to walk in the dark land. And meditation itself can offer images and visions of ways forward, of natural places that could and do themselves become future loci of further deepening.

The contemplative truly becomes the “pilgrim of eternity” when he or she gives high priority to this deepening. There’s no conflict here with worldly priorities, even with the priorities of love and intimate relationships, because paradoxically to closely hug the practice in one’s heart means all others in that life are also closely hugged.

Yet contemplation requires will, resilience, commitment. An experience of the presence of eternity is not guaranteed, and many mystical writers have spoken of the tracts of desolation that can be encountered. It’s then that the words of these mystical writers are valuable, as way marks and humbling references. We may never attain the states of which they speak, and that’s of no matter. By their words we are encouraged to keep walking.

Here’s George William Russell (known as AE) on the subject, speaking of when he was still a boy:

I began to be astonished with myself, for, walking along country roads, intense and passionate imaginations of another world, of an interior nature began to overpower me. They were like strangers who suddenly enter a house, who brush aside the doorkeeper, and who will not be denied. Soon I knew they were the rightful owners and heirs of the house of the body, and the doorkeeper was only one who was for a time in charge, who had neglected his duty, and who had pretended ownership. The boy who existed before was an alien. He hid himself when the pilgrim of eternity took up his abode in the dwelling. (AE, The Candle of Eternity)

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This article in the SMH summarises a feeling I got when visiting the recent Ken Unsworth show at Cockatoo Island: the island is undergoing a change – from little used post-industrial wasteland to quirky and gigantic arts venue. (It was originally a penal colony.)

Here are some photos I took when last there for the Unsworth exhibition (the first showing the huge doors to the Turbine hall, behind which were Unsworth’s installations). I look forward to visiting the Kentridge multimedia work I Am Not Me, The Horse Is Not Mine, which has recently opened there.
Cockatoo Island - Turbine Hall
Cockatoo Island

Addendum:

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Nineteen Caravans

by Ron Dowd on June 8, 2009

in Posts on Art+Psyche

Nineteen Caravans is a small book of photographs I took on a beautiful afternoon at Wanaka, New Zealand, in May. You can view the book on Issuu by following the link below.

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I visited the recent Picasso prints show at Rex Irwin Gallery and was taken with this lithograph, letting my eyes wander into the by-ways and nooks of the architected gardens that Picasso depicts, wondering about the energies that were driving him in those moments of making the work, and feeling joy in my journey through his scape.
Picasso Jardins à Vallauris
Pablo Picasso
Jardins à Vallauris 1953
Lithograph on Arches

Picasso seems at times (along the bottom edge, to the right, for example) to move into a symbolic space – at other times I have the feeling of him toying with a littoral zone, between the symbolic and the visual.

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Wicca

February 26, 2009 Posts on Art+Psyche

In this recent Counselor Magazine article – Spirituality Around the World, Culturally Diverse Approaches to 12-Step, are thoughtful cross-denominational views of approaches to 12-Step recovery for addictions – the approaches being Islamic, Christian, Jewish and Buddhist. Here are gems from the Buddhist Rev. Koyo S. Kubose: There is no sin in Buddhism, only ignorance. The [...]

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As though to in some way be absolved

February 10, 2009 Posts on Art+Psyche

The tragedy of the Victorian bush fires unfolds. Tales are told of people dying in ways like medieval tortures. And tales also of survivors suffering, among many other tortures, the guilt of having survived. Listening to all this on the radio this morning I too felt infected by this guilt, and as though in some [...]

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Qiu Anxiong at Gallery 4A

February 5, 2009 Posts on Art+Psyche

Gallery 4A (the Asia-Australia Arts Centre) is currently showing a rich and meditative installation called Nostalgia, by the Chinese artist Qiu Anxiong (pronounced choo anshong, I’m reliably informed). I attended the screening of three of his animated video works (including the three-screen The New Sutra of the Mountains and the Seas based on the ancient [...]

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Back on the Griffin land axis

January 19, 2009 Posts on Art+Psyche

We Australians are often disparaging about Canberra – the large federal buildings “like white tombstones in the sun”, someone recently suggested to me. But I like visiting there, and whenever we go to the NSW South Coast we always take the inland route – as we did on our recent Christmas trip. Canberra bakes silently [...]

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New album – local views – words & numbers

January 17, 2009 Posts on Art+Psyche

Here’s a new album of local views, mainly Darlinghurst (the next suburb over from here): Words & Numbers Jan 2009. I’ve been inspired recently by Paul Butzi at Musings on Photography to go out on foot, regularly, attempting to really consider and reconsider my local environment, to attempt to photograph and revision it – and [...]

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Heads from the North – Dadang Christanto

January 3, 2009 Posts on Art+Psyche

Driving back through Canberra yesterday on our South East NSW break, we stopped at the National Gallery of Australia. Here in the Marsh Pond (part of the sculpture garden) is a powerful work by Dadang Christanto, an Indonesian artist based in Darwin. The work looked impressive in the hard Canberra summer light. Dadang Christanto Heads [...]

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